In the fall of 2017 I was fortunate enough to experience my first quilting publication. My project, Sunrise Clock Mug Rugs, was published in the September/October issue of Modern Patchwork. I designed a set of four mug rugs depicting a clock face reading approximately 7:25 a.m. For some reason I really clocks and watches, and years ago I had quite the watch collection so that’s more than likely where my inspiration came from. 🙂
Once I had the idea, I played around with it until the design resembled a clock face as close as possible, even down to the binding which represents a silver casing! Technically, the mug rug can read four different times, depending on how you orient it. 🙂 Unfortunately, Modern Patchwork is no longer published (I was sad to see it go) so I’ve decided to offer my Sunrise Clock Mug Rug pattern as a free PDF download.
I made the original four (in the above photo) with brightly colored hands and a white background but the next time around I experimented quite a bit with color. Since I liked how the quilting design looked, I kept it the same on the others as well.
These mug rugs are a quick and fun project that presents a clean, modern aesthetic. They make great gifts, too. I’d love to see other versions, if on Instagram hashtag #sunriseclockmugrug to share yours!
Overall, a good portion of the quilts I’ve made I’ve given as gifts, and at this point I’ve given them to every family member that has expressed an interest in receiving one. It just happened that this particular niece ended up last, but for no particular reason!
As a surprise, I wanted to make her one for Christmas 2018, which I managed to pull off. If you’re one who makes quilts as gifts (and are on Instagram) you know how hard it can be to keep it a secret. No posting photos unless you block the recipient, but that leads to suspicion if you ask me! (I did sneak in one photo but she had no idea it was for her quilt).
In keeping with the plan to sew with what I have, I decided on using a jelly roll I purchased a few years ago. She loves the color yellow and this Moda collection Figures had plenty of it.
Once the fabric was decided, I needed a pattern. I thought she’d like something more modern verses traditional, so I headed to the Moda Bake Shop and found a great jelly roll pattern, Tropical Punch Quilt.
This pattern is very easy and beginner friendly. Thanks to precuts and my stripology ruler, cutting was a breeze and done in no time.
I used Kona Cotton White for the background to give it a bright, fresh look. I paired two coordinating strips together for the block pairs so they would have opposite middles and outer edges because I prefer controlled scrappy over all-out scrappy.
Piecing the top went fast as the blocks are simple and a larger size. The layout took a bit of time because I wanted the coordinating blocks distanced from one another.
I chose to make the binding scrappy. Need instruction on how to make scrappy binding? Here’s my How To tutorial.
Here’s a trick I used to make sure the same colors in the binding weren’t next to the same colors on the quilt top once I sewed it on. After the top was complete and on my design wall, I laid out the binding strips around it in preferred order. I marked where I needed to start sewing the binding on the actual quilt sandwich so the layout remained as planned. It worked great!
After sandwiching and before quilting, I sewed my basting stitch across the top to reduce pulling and shifting. This works wonders and I definitely recommend taking the time to do this step. Just set your machine on the widest stitch possible and sew within ¼” from the top. There’s no need to remove these stitches before sewing on your binding and it helps keep the sewn edge flat.
As usual, I used my hera marker to mark every line 1 ¾” apart and then used my guide for the lines in between.
I’ve never straight line quilted before but it came out pretty nice.
I also had this fun polka-dot backing on hand, I’m sure I bought it for something else that I never got around to making… 🙂
And the finished quilt!
I really enjoyed making this quilt, it was a lot of fun. I’m also very pleased that my niece absolutely loved it. And as always, I’m happy to spread around some quilting cheer. 😉
Hurray! It’s finally here, the January/February 2019 issue of Pre-Cut Patchwork magazine. This is the premier issue and I’m happy to be part of it. Pre-Cut Patchwork was previously known as Quilting Quickly but it still offers plenty of great patterns for using those precuts we know and love.
I’d like to share a bit of my publishing process…it took a long time but it was really fun. While I had been published in the September/October 2017 issue of Modern Patchwork, it was for small mug rugs that were accepted as finished projects. Pretty easy. But this time, because I had written the quilt pattern and tested it long before submitting, by the time it was accepted the fabric was no longer available so I had to remake it. Deadlines and all. Yikes!
After sending in some necessary paperwork, I was assigned an editor who helped me with my fabric options yet I ultimately got to choose. I went with Bright Blooms by Lunn Studios and let me tell you, it was so fun to get fabric before it was released to the public, but it was also nerve-racking!
Because I had time restraints, I didn’t take any other photos of the process. The name of my quilt is Diamond Jubilee, it’s a throw size that finishes at 56″ x 72″. Fabric requirements include one roll up and background yardage (I used Kona Cotton White). I chose a medium blue batik from the collection for the binding and a light pink for the backing. My longarmer quilted it with a rounded squares motif.
Here it is on my quilt ladder but I think this pattern is best showcased if the quilt is opened all the way.
And a couple of close up images…
This is the second quilt I’ve made with batiks and I absolutely love working with them.
Here are a few shots of the first Diamond Jubilee quilt I made with the Transformation collection by Benartex. Such rich, bright colors.
Now I have two of the same quilt…the first one I use around the house, the second one I’ll probably keep for displaying on my quilt ladder.
So that was my first quilt publication experience. If you have an idea and are considering getting it published, send it in, it’s definitely worth trying.
I hope to see other versions of this quilt, it’s a great choice for the quilter who enjoys making flying geese. There are several lovely projects in this issue so if you don’t have a copy grab one and use those precuts! Should you decide to make a Diamond Jubilee quilt, please post it and mention me on Instagram as I’d love to see your take on it. 🙂
When I saw the Triangle Peaks quilt made by Emily Dennis I knew I needed to make one for myself. Lately I’ve been using fabric I have on hand, which isn’t a whole lot and is probably considered a relatively small stash for a quilter, but I was determined to make this pattern using what I had.
A couple of years ago, with another project in mind, I purchased a 12-piece Kona Cotton fat quarter bundle entitled Pool Party. This lovely collection offered a range of blues and aquas from light to dark with a few deep blue-greens mixed in.
While I don’t consider myself a ‘blue’ person, I really took a liking to this combination. And since that particular project never came to fruition, I pulled my fabric and set out to make my version of a Triangle Peaks quilt. To compliment the blues, I decided on Kona Cotton Mango for my ‘accent’ color (the small triangles) which I did have to purchase, along with backing fabric.
This was my first time working with triangles, which I enjoyed, but bear in mind if you make anything with triangles every one has two bias edges that are prone to stretching if you’re not careful.
I completed the accent triangles first then everything else was ready to sew together. For me, deciding on the layout was the most difficult part. I used only nine of the twelve colors of blue which was enough to spread them out evenly, but it still took some time to make sure the like-colors were far enough away from one another.
Once the top was finished it was time for quilting. If you’ve read my blog posts in the past you know I don’t exactly love the quilting aspect. If I could afford it I would have just about everything longarmed! But since I can’t, I end up doing quite a bit myself.
Since this quilt is so modern and angular, I felt the quilting needed to softened it up. That said, I decided on vertical lines using my serpentine stitch. Maybe subconsciously I thought it would give it a wavy, watery feel. 🙂
After sewing my basting stitches across the top (to help reduce shifting and pulling) I started quilting from the middle then to the right, marking lines every 1 ¾” with a hera marker. This process took forever! But I admit, I’m pretty slow.
Once all the 1 ¾” lines were finished, I used my guide to quilt the lines in between. This saves time from marking rows, and it works well, my lines were fairly accurately spaced.
I think the serpentine stitch was a great choice.
It ended up that I didn’t mind quilting this one at all. I kind of went into auto pilot mode, just plugging away row after row. It took me more hours than I could count but I love the results.
I used Kona Cotton Mango for the binding.
Here’s my finished throw size quilt.
I’m really happy with this one and plan to get some good use out of it!