It’s Monday morning and it’s time for a pattern release! My Diamond Jubilee quilt is now available for purchase as a PDF download at my Etsy shop.
This modern quilt is throw size, measures 56″ x 72″ and it’s 2 ½” precut strip friendly. The pattern is made up of two distinct blocks, a scrappy star block and a diamond block, set in an alternate layout. And, it’s easy enough for a confident beginner quilter.
Looking to showcase some bright fabric? Download your copy of Diamond Jubilee, have some fun sewing and celebrate an explosion of color!
If you’re on Instagram, share your project #diamondjubileequilt—I’d love to see what you create.
To kick off the summer season, I have a newly published mini quilt pattern that gives off a summery vibe. It’s entitled Radiant because, well, the sun just radiates!
I sketched this idea a while back but didn’t get a chance to write the pattern and make it until early spring last year. Right after finishing it, Modern Patchwork put out a call for ‘small’ projects. The timing was perfect so I submitted it for publication consideration. After being accepted, Modern Patchwork was no longer going to be published (sadly) so my mini was moved to the July/August issue of Quiltmaker.
I received my magazine copies yesterday and I have to say I love their layout, it definitely says summer to me! I’m very happy with it. 🙂
There were two things that inspired this design: 1. the sheer heat of the sun 2. fabric. I had purchased a Kona Cotton Citrus Bundle with something else in mind, but it ended being up exactly what I needed for this pattern. I wanted to create an ombre effect using solids ranging from dark to light giving the feeling of warmth radiating from the sun, and it worked. I think any combination of reds, oranges and yellows would do just as well.
I wanted to quilt circles from the sun outward, but before starting I tested my idea. On paper, I drew a circle (from a coaster) in the corner where the sun was on the quilt. I knew that the further out I’d have to sew, the larger the circles would get, and I had to make sure they’d stay round. It looked like it was going to work so I continued on.
Testing showed I needed to start my lines off the quilt edge onto the excess batting area so I would have enough lead into the quilt top in order to keep my circles round. It was a bit of extra quilting but it was necessary to get the results I wanted. I used the edge of my walking foot for distancing apart lines, that way I didn’t have to make any markings.
For quilting, I used Aurifil 2135, giving a nice warm finish.
This little mini is a quick and easy make; consisting of mostly half square triangles. It measures 15″ W x 12″ H, and it would be a nice bright addition to anyone’s space! It’s also a great skill builder for a beginner quilter.
If you don’t subscribe to Quiltmaker, get your copy today and give it a try! If you like oranges and yellows you’re all set…or if you’re feeling adventurous try it out in your favorite color palette.
Another quilt finished and one with an interesting story to go along with it. After finishing my Christmas quilt I thought, why not make one for Valentine’s Day? I love the color pink and tend to use it frequently so I had a lot of scraps on hand to choose from.
I wanted a heart quilt with a large array of pinks and reds, but I didn’t want to use the traditional heart shape so I opted for something more modern.
Once I had my idea I began designing the heart block and I started writing a pattern for it. Here’s what’s interesting…I thought I was onto something original, but when I went to name it I found it had been done before, published as a baby quilt in 2017, and had the exact same name! I admit I was a bit let down, but I still loved the design and it didn’t stop me from moving forward. I chose a different name because the quilts were different; mine was throw size, my blocks were bigger and I didn’t add borders.
Whenever I come up with a new design I always look to see if anyone else has already done it. For some reason when I checked for this heart quilt I didn’t see it anywhere, though I’m not really surprised it was done before because it is a pretty basic block.
Although I can’t claim it as my own design even though I’d never seen the other one (it isn’t worth getting blamed for copying) I do think it’s the cutest quilt I’ve ever made!
Here’s some general information on how I made my quilt. I wrote my pattern for using 10″ squares but it’s also scrap friendly. This illustration shows how I made my blocks from scraps. I used 29 different fabrics.
As an alternative, you can save time by strip piecing with precuts. Sew together and cut, as illustrated. One strip set will make 3 block halves.
I cut my background squares 5 ½” x 5 ½”, 99 total. I didn’t cut my edge pieces in half like most quilters would have done. Instead, I sewed them on as squares and trimmed them once the quilt top was complete. You might ask why would I do that? Well, I’m no fan of bias edges and by doing it this way I didn’t experience stretching and it ended up perfectly square. 🙂 And I know it’s certainly not the conventional way!
Here’s the layout of my Petite Hearts Quilt. Rows are sewn together on point (diagonally).
I used a variety of fabrics for this quilt including Riley Blake, Art Gallery, Andover, Michael Miller…just to name a few. The backing is Simply Colorful II in magenta by V & Co. for Moda. I sewed my binding on by hand using Aurifil 2530. I did the quilting myself on my Janome using the serpentine stitch using Aurifil 2026. Finished size is roughly 56″ x 70″.
Here’s the finished quilt. Original or not, I absolutely love it and I couldn’t be happier with how it turned out!
Hurray! It’s finally here, the January/February 2019 issue of Pre-Cut Patchwork magazine. This is the premier issue and I’m happy to be part of it. Pre-Cut Patchwork was previously known as Quilting Quickly but it still offers plenty of great patterns for using those precuts we know and love.
I’d like to share a bit of my publishing process…it took a long time but it was really fun. While I had been published in the September/October 2017 issue of Modern Patchwork, it was for small mug rugs that were accepted as finished projects. Pretty easy. But this time, because I had written the quilt pattern and tested it long before submitting, by the time it was accepted the fabric was no longer available so I had to remake it. Deadlines and all. Yikes!
After sending in some necessary paperwork, I was assigned an editor who helped me with my fabric options yet I ultimately got to choose. I went with Bright Blooms by Lunn Studios and let me tell you, it was so fun to get fabric before it was released to the public, but it was also nerve-racking!
Because I had time restraints, I didn’t take any other photos of the process. The name of my quilt is Diamond Jubilee, it’s a throw size that finishes at 56″ x 72″. Fabric requirements include one roll up and background yardage (I used Kona Cotton White). I chose a medium blue batik from the collection for the binding and a light pink for the backing. My longarmer quilted it with a rounded squares motif.
Here it is on my quilt ladder but I think this pattern is best showcased if the quilt is opened all the way.
And a couple of close up images…
This is the second quilt I’ve made with batiks and I absolutely love working with them.
Here are a few shots of the first Diamond Jubilee quilt I made with the Transformation collection by Benartex. Such rich, bright colors.
Now I have two of the same quilt…the first one I use around the house, the second one I’ll probably keep for displaying on my quilt ladder.
So that was my first quilt publication experience. If you have an idea and are considering getting it published, send it in, it’s definitely worth trying.
I hope to see other versions of this quilt, it’s a great choice for the quilter who enjoys making flying geese. There are several lovely projects in this issue so if you don’t have a copy grab one and use those precuts! Should you decide to make a Diamond Jubilee quilt, please post it and mention me on Instagram as I’d love to see your take on it. 🙂
When I saw the Triangle Peaks quilt made by Emily Dennis I knew I needed to make one for myself. Lately I’ve been using fabric I have on hand, which isn’t a whole lot and is probably considered a relatively small stash for a quilter, but I was determined to make this pattern using what I had.
A couple of years ago, with another project in mind, I purchased a 12-piece Kona Cotton fat quarter bundle entitled Pool Party. This lovely collection offered a range of blues and aquas from light to dark with a few deep blue-greens mixed in.
While I don’t consider myself a ‘blue’ person, I really took a liking to this combination. And since that particular project never came to fruition, I pulled my fabric and set out to make my version of a Triangle Peaks quilt. To compliment the blues, I decided on Kona Cotton Mango for my ‘accent’ color (the small triangles) which I did have to purchase, along with backing fabric.
This was my first time working with triangles, which I enjoyed, but bear in mind if you make anything with triangles every one has two bias edges that are prone to stretching if you’re not careful.
I completed the accent triangles first then everything else was ready to sew together. For me, deciding on the layout was the most difficult part. I used only nine of the twelve colors of blue which was enough to spread them out evenly, but it still took some time to make sure the like-colors were far enough away from one another.
Once the top was finished it was time for quilting. If you’ve read my blog posts in the past you know I don’t exactly love the quilting aspect. If I could afford it I would have just about everything longarmed! But since I can’t, I end up doing quite a bit myself.
Since this quilt is so modern and angular, I felt the quilting needed to softened it up. That said, I decided on vertical lines using my serpentine stitch. Maybe subconsciously I thought it would give it a wavy, watery feel. 🙂
After sewing my basting stitches across the top (to help reduce shifting and pulling) I started quilting from the middle then to the right, marking lines every 1 ¾” with a hera marker. This process took forever! But I admit, I’m pretty slow.
Once all the 1 ¾” lines were finished, I used my guide to quilt the lines in between. This saves time from marking rows, and it works well, my lines were fairly accurately spaced.
I think the serpentine stitch was a great choice.
It ended up that I didn’t mind quilting this one at all. I kind of went into auto pilot mode, just plugging away row after row. It took me more hours than I could count but I love the results.
I used Kona Cotton Mango for the binding.
Here’s my finished throw size quilt.
I’m really happy with this one and plan to get some good use out of it!